1000 years of bread

When people set out to do something spectacular, sometimes they just make it silly or asinine. For example, the song OrganĀ²/ASLSP (As SLow aS Possible) is currently being played out of a church in Germany, having begun in 2001 and intended to conclude in 2640. Despite having been playing for 13 years come this Friday, the song is currently only on its thirteenth note and the next note change will not occur until September 5th of 2020.

That’s not very interesting to listen to, obviously. It’s just an organ softly humming a single note for the next six years. Every couple of years, I check in to see their progress, but it’s not something I’d want to livestream, if you know what I mean.

This, however, is.

When I first read about Longplayer and its projected one millennium duration, I expected something similar to ASLSP, but it’s more than that. The notes change regularly. I’ve been listening to the song for about forty minutes now and my feelings are mixed, but only because I can’t decide whether the song is soothing or eerie. Produced by Tibetan singing bowls and gongs, it has a sonorous quality that I could see in the background of a horror movie just as readily as I could see it in more innocuous places (which, indeed, it has occupied).

I recommend you give it a listen.

For at least a little while.

At Least I Still Have You

I wanted to link this song back in the first Bread from Heaven post, but international copyrights had shut down all the working links. Well, somehow it appears to have slipped its copyright reins, because I see several copies on youtube!

For your audio pleasure (relatively speaking, as it’s only 240p, but there really are no better quality versions available…)

Sandy Lam – Zhi Shai Hai You Ni

For your hunger, I give you bread from Heaven

Every now and then I find things I have to share, be it an invigorating story, a song that gave me the autonomous sensory meridian response, a movie that consistently makes me cry (there are a few of those…) or just something I think everyone should see.

Today’s candidates:

I think every artist in the world should see this. Even if their form of art has nothing to do with drawing.

I have an absurd love for the song Caramelldansen (some would call it an obsession, but I can quit whenever I want). A lot of people may already be familiar with this track from the Swedish group Caramell since it took off as an Internet meme when a user sped up the song, turning it into something cute and bouncy. Since then, there have been about a dozen new iterations and remixes, including an English version.

Well, a few days ago, I ran aground of two new versions done by fans that instantly found their way onto my repeat list.

Caramelldansen – Acoustic
Caramelldansen – Banjo and Melodica

Speaking of songs which trigger that little shiver of pleasure, one of my favorite artists of all time, Sandy Lam, has a song which never fails to give me that response. If you can’t read the characters, the pinyin is Wei Ni Wo Shou Leng Feng Chui, if you should need it for any reason. My ASMR triggers between 1:06 and 1:26, especially in the latter 10 seconds.

This artist also has produced of the most beautiful songs I’ve ever heard (Zhi Shao Hai You Ni), but sadly, it’s almost impossible to find a copy online, thanks to international copyright laws. The only place this far west that I can find the song anymore is in googling “zshyn.swf” for Flash movies made in homage. I have the track on CD, but unfortunately, have no way of sharing it in its true glory.

Jamin Winans is a man who deserves more recognition. His film, Ink (Recommended for mature audiences due to strong language and violence) has received almost no acknowledgement in Hollywood because of where it got its start: pirating online. Self-produced for a budget of $250,000 (a mere fraction of the cost of many Hollywood films), without the attention it received from pirating, Ink may never have taken off. To that end, rather than feel affronted at having what little profit he expected be further reduced from pirating, Jamin Winans opted to embrace the piracy for the greater exposure it gave his film. I’d like to think he wouldn’t greatly mind me linking this more obscure Italian subtitled version of the film (you can turn them off). In fact, I highly doubt it, especially since I’m also going to tell you that you can get a physical copy of this masterpiece from his website.

One of his short films, SPIN, is also available for viewing.